Fee Download Contesting Identities: Sports in American Film, by Aaron Baker
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Contesting Identities: Sports in American Film, by Aaron Baker
Fee Download Contesting Identities: Sports in American Film, by Aaron Baker
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Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacle of sports and their compelling narratives of conflict, triumph, and individual achievement. In "Contesting Identities", Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time - from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities like class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance.Looking at films from almost every sporting genre - with a particular focus on movies about boxing, baseball, basketball, and football - "Contesting Identities" maps the complex cultural landscape depicted in American sports films and the ways in which stories about 'subaltern' groups winning acceptance by the mainstream majority can serve to reinforce the values of that majority. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the 'manly' female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.'A must-read for cinephiles and sports fans alike, "Contesting Identites" is a knock-out. Aaron Baker cogently combines previous work on identities, sports, and media and moves discussion to new levels. His analysis of how race, ethnicity, gender, sexuality, and class are represented in feature sports films are consistently thought-provoking and intriguing' - Chris Holmlund, author of "Impossible Bodies: Femininity and Masculinity" at the Movies.
- Sales Rank: #2595810 in Books
- Published on: 2003-02-26
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .70" h x 6.22" w x 9.50" l, .90 pounds
- Binding: Hardcover
- 176 pages
Review
"A must-read for cinephiles and sports fans alike. Aaron Baker cogently combines previous work on identities, sports, and media and moves discussion to new levels." -- Chris Holmlund, author of Impossible Bodies: Femininity and Masculinity at the Movies
About the Author
Aaron Baker is the winner of the 2007 Katharine Bakeless Nason Prize for poetry, selected by Stanley Plumly and awarded by Middlebury College and the Bread Loaf Writers' Conference. A former Wallace Stegner Fellow, Baker
received his MFA at the University of Virginia. His work has been previously
published in the Virginia Quarterly Review, Prairie Schooner, Post Road, and
Poetry, among other publications. He lives in Charlottesville, Virginia, and
teaches at Hollins University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent Scholarly Resource
By Tim D.
Great resource in considering the ideas of race, gender, class, and social structure to athletes and American film. I am using this as a textbook for an upcoming college course I am teaching
3 of 3 people found the following review helpful.
An in-depth study of the films that had as their primary focus or theme sports and athletic competition
By Midwest Book Review
Contesting Identities: Sports In American Film by Aaron Baker (Associate Professor of Film and Media Studies at Arizona State University) is an in-depth study of the films that had as their primary focus or theme sports and athletic competition. Guiding readers through a complete understanding of the film industry's sports movies from the era of silent movies through the blockbuster productions of today, Contesting Identities provides an informative review of sports films elements and issues such as race, class, ethnicity, sexuality, gender, and more. A seminal contribution to Film & Cinema Studies supplemental reading lists and academic library reference collections, Contesting Identities is very strongly recommended for film students and sports enthusiasts searching for a comprehensive and intelligible grasp of the historical progression, identity, ideals, and production of sports-oriented films.
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