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This award-winning collection of adapted classic literature and original stories develops reading skills for low-beginning through advanced students.
Accessible language and carefully controlled vocabulary build students' reading confidence.
Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension.
Before, during, and after reading activities included in the back of each book strengthen student comprehension.
Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.
- Sales Rank: #112328 in Books
- Published on: 2008-03-15
- Original language: English, German
- Number of items: 1
- Dimensions: 4.90" h x .30" w x 7.60" l, .30 pounds
- Binding: Paperback
- 72 pages
Review
"One of the most shocking accounts of crime ever produced."
—Chicago Sun-Times
"Dibdin in one of the best detective novelists around."
—London Daily Mail
"An explosive, controversial book . . . . A horrible thread of reality runs through the tale as it does in no other Sherlock Holmes story, for the Whitechapel murders were real."
—Baltimore Sun
From the Inside Flap
In The Last Sherlock Holmes Story, Michael Dibdin pits the sleuth of Baker Street against the Butcher of Whitechapel--the archfiend Jack the Ripper. In doing so, he gives readers a Holmes possessed of greater and more disturbing depths than the one they thought they knew.
From the Back Cover
In 1888 Sherlock Holmes is languishing for a criminal case worthy of his powers, then one materializes, heralded by the spatter of gore and the shriek of headlines. For in vice-ridden Whitechapel, three female paupers of dubious morals have been murdered, their bodies hideously defiled. And in taunting letters their killer announces his intention to strike again - and signs his name "Jack the Ripper". As conceived by the award-winning mystery writer Michael Dibdin, The Last Sherlock Holmes Story is a brilliantly inventive updating of the Holmes legend. Pitting master detective against archfiend, steely rationalism against satanic depravity, Dibdin gives us a Holmes who is more complex, more human, and ultimately more fascinating than the one imagined by Arthur Conan Doyle.
Most helpful customer reviews
37 of 43 people found the following review helpful.
Defending Dibdin
By Mr P R Pensom
As an ardent Sherlockian I am clearly in a minority in thinking this book stunning. Far from criticising the liberties Dibdin takes with Holmes, I applaud him for his interpretation - surely better than preserving the character in aspic. In brief then, Holmes is pitted against the Ripper, but this narrative has the feel of a gritty documentary, as compared to the white-washed 'screenplay' of the original stories. Dibdin skillfully extrapolates what was always present beneath the surface, if we're honest. Of course such a mind would be precariously balanced, of course the showy deductions would occasionally fail, and of course Holmes' Moriarty fixation is dangerously close to a persecution complex. What Dibdin attempts to do here is present us with a 'true' manuscript, beqeathed in Watson's Will, of his final 'adventure' with Holmes. All the old elements are in place, but very different, we feel as though someone has drawn back a veil. The ending of this book has been much criticised in other reviews, chiefly because of it's lack of a 'double-bluff' twist. But I think I'm giving nothing away when I say that the very lack of a double-bluff is in itself the plot twist, the writer plays games with our expectations by dangling the most blatant of clues throughout the book, then answering them in the most shocking way. Essentially it's power comes from precisely the faith we have in Holmes, and this in the end makes it a respectful work, NOT a hatchet-job. Love it or hate it, few seem to be ambivalent. Read it!
15 of 17 people found the following review helpful.
Brilliantly Written, But...........
By ep993185@oak.cats.ohiou.edu
I cannot deny that this novel is effectively written, and was difficult to put down. Nevertheless, with hindsight I have to take note of how Dibdin resorts to some fudging of the Holmes canon to fit his square peg into the round hole of his seemingly ingenious payoff. The one fudging he can't be allowed to get away with is the total absence of the character of Mycroft Holmes from this story. I would have had a lot more respect for his unorthodox conclusion that admittedly is an outrage for true Holmes fans had he found a way of working Mycroft into the story. It soon becomes patently obvious after reading this story again that Dibdin has to pretend Mycroft doesn't exist in order to make his story and his theory fly. And that's something he really should be called to the carpet for when analyzing his story construction, and not just the simple visceral anger one might feel over the outcome itself.
32 of 40 people found the following review helpful.
A variation on the death of Mr. Holmes
By taking a rest
Brash, audacious, or perhaps blasphemous, are all expressions that the devotees of Arthur Conan Doyle could exclaim upon hearing that the final tale of Sherlock Holmes was to be re-written. There is literary precedent for this; at least two completed novels of Dickens were subjected to sequels by Authors who were not, and theories for solving the mystery of "The Mystery Of Edwin Drood", also by Mr. Dickens are vast in number. The latter exercise is not inappropriate as "Edwin Drood" stops in mid thought, as the Author left it for his dinner, and then a rest he was not to recover from. More recently "Gone With The Wind" was either the subject or the victim of a sequel as well. Why the fuss? The Bible is the most reproduced book in History, and if counted, might also take the crown for being offered in more variations than any other work as well. The revision here is to one story only, albeit the final one, but a challenge nonetheless.
Sir Arthur Conan Doyle is on record as not taking issue with others placing his creation in circumstances other than those he originally created. An example of his feelings is at the beginning of this work, but I leave that for the reader. The difference here is that the final story tells of the death of Mr. Holmes and his nemesis Moriarty at Reichenbach Falls.
The first diversion that makes this tale unique is the inclusion of the Whitechapel Murders. These acts were not fictional, but rather the results of the still infamous Jack The Ripper. The primary players remain the same, Holmes, Moriarty, and Dr. Watson. Dr. Watson relates the tale as he wrote it, and per this story had it locked away for 50 years after his death, when it then could be opened.
So the summer of 1976 is the setting Michael Dibdin begins his tale, and a very good one it is. It takes a great sensitivity to emulate writing that is so well known, to take the creations of another's pen and make them credible without being little more than a plagiarist. The more devoted of Mr. Doyle's readers may well refuse this read, but to do so would be to miss a great contemporary writer of the genre pay homage to, rather than besmirch the memory of Sir Doyle.
Much of what you read is familiar, the fundamentals of course are not. If you choose to spend the time you will have a wonderful read, even if you are the strongest of advocates for the original Author's work.
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