Senin, 24 Maret 2014

[I307.Ebook] PDF Download The Girl from Junchow, by Kate Furnivall

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The Girl from Junchow, by Kate Furnivall

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The Girl from Junchow, by Kate Furnivall

An epic journey of love and discovery from the national bestselling author of The Russian Concubine and The Red Scarf.

China, 1929. For years Lydia Ivanova believed her father was killed by the Bolsheviks. But when she learns he is imprisoned in Stalin-controlled Russia, the fiery girl is willing to leave everything behind- even her Chinese lover, Chang An Lo.

Lydia begins a dangerous search, journeying to Moscow with her half-brother Alexei. But when Alexei abruptly disappears, Lydia is left alone, penniless in Soviet Russia.

All seems lost, but Chang An Lo has not forgotten Lydia. He knows things about her father that she does not. And while he races to protect her, she is prepared to risk treacherous consequences to discover the truth.

  • Sales Rank: #703741 in Books
  • Published on: 2009-06-02
  • Released on: 2009-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.00" w x 5.60" l, .97 pounds
  • Binding: Paperback
  • 512 pages

From Publishers Weekly
In her third novel, Furnivall returns to the story of Lydia Ivanova from The Russian Concubine, a Russian girl who fled the Bolsheviks and settled in Junchow, China, with her mother, who was then killed. Alone in a strange culture, Lydia learns that her father, whom she believed to be dead, is imprisoned in a labor camp. She flees China with her stepbrother, Alexei, to search for her father, leaving behind her lover, Chang An Lo, a Communist rebel. When Alexei later abandons Lydia, Lo comes to the rescue, but not before Lydia learns the terrible truth about the only family she has left. Furnivall deftly evokes the details of a bygone era, though these often take too much of a front seat and distract from Lydia's quest to find her father. Fans of Furnivall's earlier works will enjoy the chance to see what has become of Lydia. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Kate Furnivall was born in Wales and currently lives in Devon, England. Married and the mother of two sons, she has working in publishing and television advertising. She drew inspiration for The Russian Concubine from her mother’s experiences as a White Russian refugee in China.

Most helpful customer reviews

33 of 33 people found the following review helpful.
Surprisingly good
By E. Smiley
The Girl from Junchow is a rare novel: a second book that is actually better than the first. I enjoyed the first book, The Russian Concubine, but considered Furnivall's next novel a bit of a train wreck, so I came to this one with mixed feelings... and, as it turns out, was pleasantly surprised.

This book continues the adventures of Lydia, a teenage Russian refugee brought up in 1920's China, as she returns to Russia in search of her imprisoned father, accompanied by her half-brother Alexei and friend Liev Popkov. Her Chinese lover Chang An Lo puts in an appearance as well, and he's actually much improved since The Russian Concubine; he has a life now and struck me as a much more believable character than he did the first time around. We're also introduced to a new cast of secondary characters: a pleasure, since one of the things Furnivall does very well is develop the secondary cast.

The story, meanwhile, is an entertaining one, complete with crisp dialogue and a well-drawn historical setting. And Furnivall's writing style has clearly matured since The Russian Concubine as well. The biggest sticking point for me is that the plot lacks realism, with characters frequently getting out of ridiculously dangerous and difficult situations with mind-boggling ease. Nothing nature, injuries or the Soviet State throws at these characters manages to stop them for long, which dilutes the suspense and makes relating to the characters' predicaments more difficult. These quick-and-easy solutions to seemingly insurmountable problems are nothing you wouldn't see in many a fantasy novel or action-packed thriller, but they seem out of place here, when combined with much loving attention to character development and setting, not to mention the relatively slow pacing, with whole chapters devoted to character interaction.

For those who haven't read The Russian Concubine, this book should still be easy to understand; the setting has shifted from China to Russia anyway, and many old characters have fallen by the wayside. And for those who read and enjoyed the first book, I highly recommend this sequel.

7 of 7 people found the following review helpful.
A wonderful sequel
By Jennifer Rothwell
After finishing 'The Russian Concubine' two years ago I hoped and hoped that a sequel would be released. I was so excited when I heard that 'The Girl from Junchow' had been released and snatched it up immediately.
I was not disappointed. We return to the world of Lydia Ivanova and find her journeying to Russia to find her father- just as she said she would at the end of 'The Russian Concubine'. I was relieved to find that we are also kept aware of the activities of Chang An Lo, for I had found him to be an intriguing character.
The plot of this novel has been expertly woven into the context of Stalinst Russia- the way Furnivall portrays the time period is magnificent (which isn't surprising, seeing as the author dealt with aspects of Stalnist Russia in her brilliant novel 'The Red Scarf').
The story is gripping, and has not lost the thrill that was present in the first novel. Lydia's character has been developed even further, and now, after two novels, I am becoming strangely attached to this courageous protagonist.
All in all, a wonderful book.

4 of 4 people found the following review helpful.
Better than the first, but...
By Kindle Customer
I liked this book as well as the first but was quite thrown off by the convenient "Get Out Of Jail Free" card-type of escape from dangerous situations that came up time and time again. Also, the revelation that Lydia made to Chang An Lo at the end of the book regarding the deal she'd made came far too late with no foreshadowing whatsoever. It felt contrived as did a few other things in this book.

That said, it is an enjoyable read. The characters are fleshed out nicely. I enjoyed it enough to stay awake into the wee hours reading it.

See all 52 customer reviews...

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Minggu, 16 Maret 2014

[S403.Ebook] Free PDF The Case of the Fabulous Fake (Perry Mason Mysteries (Fawcett Books)), by Erle Stanley Gardner

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The Case of the Fabulous Fake (Perry Mason Mysteries (Fawcett Books)), by Erle Stanley Gardner

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The Case of the Fabulous Fake (Perry Mason Mysteries (Fawcett Books)), by Erle Stanley Gardner

SILENCE IS MURDER

Perry Mason's beautiful new client isn't giving anything away, not even her name, and he suspects that what she does choose to reveal is mostly lies. Certainly the bag full of cash she carries isn't shopping money. All the mystery woman asks is that Mason make himself available for a few days in case she needs him--for what purpose, she remains silent as the grave.

In fact, his headstrong client, who identifies herself only as "36-24-36," is headed for disaster--not only into a blackmailer's clutches but into a lethal trap from which not even Perry Mason's brilliant courtroom sorcery may be able to extricate her. Alive, anyway . . .

THE ORIGINAL COURTROOM NOVELS

  • Sales Rank: #1118979 in Books
  • Published on: 2000-10-31
  • Released on: 2000-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x .50" w x 4.13" l, .0 pounds
  • Binding: Mass Market Paperback
  • 192 pages

Review
"Gardner [is] humorous, astute, curious, inventive--who can top him? No one has yet."
--Los Angeles Times

From the Inside Flap
SILENCE IS MURDER

Perry Mason's beautiful new client isn't giving anything away, not even her name, and he suspects that what she does choose to reveal is mostly lies. Certainly the bag full of cash she carries isn't shopping money. All the mystery woman asks is that Mason make himself available for a few days in case she needs him--for what purpose, she remains silent as the grave.

In fact, his headstrong client, who identifies herself only as "36-24-36," is headed for disaster--not only into a blackmailer's clutches but into a lethal trap from which not even Perry Mason's brilliant courtroom sorcery may be able to extricate her. Alive, anyway . . .

THE ORIGINAL COURTROOM NOVELS

From the Back Cover
"Gardner [is] humorous, astute, curious, inventive--who can top him? No one has yet."
--Los Angeles Times

Most helpful customer reviews

2 of 2 people found the following review helpful.
Solid Perry Mason
By Michael Tavella
I read this book as a "palate cleanser" between serious works of fiction. It gave me exactly what I was looking for-solid writing with familiar characters and some unusual plot twists-everything one expects from Gardner.

3 of 4 people found the following review helpful.
Love and Money Lead to Murder
By Acute Observer
The Case of the Fabulous Fake, by Erle Stanley Gardner

This book is dedicated to Jack Cadman, the Director of the Orange County Sheriff's Criminalistics Laboratory. Cadman invented a method to detect alcohol in the blood stream quickly and accurately, thereby advancing forensic science. Two examples in determining the cause of death are given.

A visitor consults with Perry Mason, but refuses to give her name. Her payment buys credibility (like for Spade & Archer in "The Maltese Falcon"). Perry has Paul Drake investigate her, after reading her coded ad in the classified section. Chapter 3 educates the reader on the weakness of eyewitness evidence [when the person identified is a complete stranger]. Paul Drake investigates her backtrail, and identifies Diana Douglas. Perry visits Diana to tell of the 'routine audit' at her company (imports items that are paid in cash only). There is a need to remove Diana and send her home; a substitute replaces her when the stranger visits. There is a request for a pay-off that Perry refuses. Later this blackmailer is found murdered, Diana's credit card is in his room. The murder weapon is traced to Diana, and she is arrested and brought back to Los Angeles.

Perry and Paul continue the investigation. Bit by bit the truth is extracted from Diana. She did visit the blackmailer, but found him dead. She took the gun because she recognized it as belonging to her now dead brother! Just when you think its curtains for her, Perry summons and questions a few of her coworkers. The unusual fact of an old coat among new clothes is explained. Diana is freed once the facts point to a new suspect. Again, "murder is caused by love or money, to get it or to keep it". The scandal that led to the murder is revealed at the end. Its not a good idea to spread workplace gossip around. This story says carrying a pistol on an airplane was not unusual then. This is Erle Stanley Gardner's last work. He died just after it was published.

1 of 1 people found the following review helpful.
I plead guilty to reading Perry Mason!
By mailer
I have become enamored with reading the Perry Mason books and intend to read all of the books available. It appears that Amazon has most if not all, although this has become an expensive hobby.
Each book is different enough from another (other than all being murder mysteries and you always know the client) that you can't figure out the theory of each case until the last chapter.
Lots of fun and, to use an old expression, pulp fiction.

See all 12 customer reviews...

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Kamis, 06 Maret 2014

[X513.Ebook] Download PDF Critical Thinking: Learn the Tools the Best Thinkers Use, Concise Edition, by Richard Paul, Linda Elder

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Critical Thinking: Learn the Tools the Best Thinkers Use, Concise Edition, by Richard Paul, Linda Elder

Written by two of the leading experts in critical thinking, this book focuses on an integrated, universal concept of critical thinking that is both substantive and applicable to any and every situation in which human thinking is necessary. It provides readerse with the basic intellectual tools needed for life-long learning, helping them understand the mind and how its three functions — thinking, feeling, motivation — influence and are influenced by one another. This book fosters the development of fair-minded critical thinking. Features the intellectual standards: clarity, precision, accuracy, logicalness, significance, depth, breadth, and fairness; The importance of good questioning; and intellectual tools to read for deep and lasting comprehension, and to write in ways that show clarity of reasonability of thought. For all that want to improve their critical thinking skills to apply to their job or life.

  • Sales Rank: #110907 in Books
  • Brand: Paul, Richard/ Elder, Linda
  • Published on: 2005-07-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.40" h x .60" w x 9.00" l, 1.24 pounds
  • Binding: Paperback
  • 368 pages

Review

"This book is well-written, lucid and contains abundant examples and applications that not only enliven the subject matter but present relevant contexts for building understanding and advanced critical thinking.  In addition, it is faithful to the complexity and work required to improve one's thinking.  It does not soft-pedal the challenge but actually throws down the gauntlet to the worthy Reader to pick it up."

--Stephen J. Knopp, Ph.D., Ohio University 

"This concise version is a more comprehensive and robust textbook.  Many Critical Thinking books cover thinking from a narrow angle, but Paul and Elder offer a model of critical thinking that can be applied not only to academic disciplines but also to life in general."

--Connie Wolfe, Surry Community College

From the Back Cover

Like its parent text, Critical Thinking: Tools for Taking Charge of Your Learning and Your Life, Second Edition, this book focuses on an integrated, universal concept of critical thinking that is both substantive and practical; it provides readers with the basic intellectual skills they need to think through content in any class, subject, or discipline, and through any problems or issues they face.

Written by two of the leading experts in the field, Critical Thinking: Learn the Tools the Best Thinkers Use focuses on the most basic critical thinking concepts.  It includes activities that allow readers to apply these concepts within disciplines and to life.  An added feature to this brief book is a focus on close reading and substantive writing.

Content highlights include:

  • Think for Yourself activities
  • Discovering the parts of thinking and the standards for thinking
  • Learning to formulate clear and substantive questions
  • Making the design of a course work for you
  • Close reading and substantive writing
  • Becoming a fair-minded thinker

The authors' website provides students with valuable resources to enhance their development as thinkers.  Find this at www.criticalthinking.org

Visit our Student Success Supersite at www.prenhall.com/success  Features will include:

  • Majors Exploration
  • Career Advice
  • Web Links
  • Tips from Successful Students 
  • Student Bulletin Boards
  • Faculty Resources

About the Author

DR. RICHARD W. PAUL is Director of Research and Professional Development at the Center for Critical Thinking and the Chair of the National Council for Excellence in Critical Thinking. He has authored eight books and more than 200 articles on critical thinking. In over 35 years of teaching experience, he has won numerous awards and honors, including Distinguished Perry Lecturer for the year 2000.

DR. LINDA ELDER is an educational psychologist, President for the Foundation for Critical Thinking, and Executive Director of the Center for Critical Thinking. She is highly published and has done original research into the relation of thought and emotion. She is a regular keynoter at the International Conference on Critical Thinking and is a recognized leader in the field.

Most helpful customer reviews

18 of 21 people found the following review helpful.
A lifetime learning approach, not a course in "critical thinking"
By Todd I. Stark
I enjoyed this book and got a lot out of it. For such a high level book it isn't easy reading because it requires you to think about your own thinking while you are reading it in order to get full value out of it. If you skip that exercise, in my opinion, you will not appreciate the value of this book. So if you want to grow from what the authors are offering, be prepared to take a long term vision of your own abilities and to do a lot of work. In spite of the somewhat misleading title of this book, it is not really about what most people would call "critical thinking," it is a much deeper and more useful view of thinking abilities in general.

This book presents a relatively accurate (in my opinion) and very usable model of how human reasoning works in practice and how we get better at it. In addition it offers many simple but practical drills for identifying how well you are thinking and what sorts of things would be good to work on. So I do recommend this book.

Having gotten that positive impression from my reading, I also noticed the many very negative reviews here and that made me pause and think a bit. It may be helpful to expand on what I think it good about this book and what the negative reviewers are seeing.

The authors in my opinion do two critical things very clearly (although very informally): (1) they usefully identify the intellectual virtues or ideals that underlie good thinking and how they relate to each other, and (2) they outline a loosely expertise-based practical model for going from being unaware of being a weak thinker to actively and consistently developing the skills of good thinking.

Where this book falls down a little in my own view is that it doesn't adequately address the relationship of the intellectual virtues with the *attitudes* that underlie them, indicate the stability of our attituds about thinking, or discuss in any depth the way improvement critically can rely on attitude change as well as cultivated abilities.

The authors do recognize the importance of attitude but I think they fail to persuade the reader that we have to adopt a particular set of attitudes in order to consistently embody the virtues. They mention, but do not give a realistic narrative sense of, the work involved in changing our attitudes toward thinking as well as developing the associated skills.

Perhaps worst of all, the authors make many points that I think are valid and supportable about the nature of thinking, but they provide no explicit support of their ideas in terms of available research. They rely too heavily on authority and intuitive plausibility in a field where what constitutes a solid principle is often very counter-intuitive.

I'm not saying the authors should have given us a book full of citations that no one is actually going to follow up just to impress people, I'm just saying that some of the most critical points could have been referenced in established empirical work here and there to give readers some grounding in psychological science that I think this topic needs and deserves in places.

As a result of these small gaps, I think many readers are probably going to see this book as simplistic and not very useful because they don't recognize that the authors are providing a very good high level map of a very big territory that takes a very long time and individual exploration to map in detail.

People complaining that this book doesn't offer details of logical fallacies or technical principles of reasoning are entirely right, but also somewhat missing the point of the book. Perhaps calling it "Critical Thinking" sets the expectations too specifically on the subset of skills that people associate with that topic. In my mind the authors are not really talking about "critical thinking" as most of us probably imagine it, that subset of thinking that involves examining arguments and questioning assumptions, they are talking about *reflective* thinking in general and what it takes to be good at it.

There are also people who complain because the authors disagree with them on specific topics or don't address arguments in the way they expect. I see a number of negative reviews complaining that the authors of this book did not seem to apply their own principles in the book. That's possible, but I feel as if they're looking at the proverbial finger pointing at the moon rather than seeing the beauty of the moon.

This book is pointing toward a big picture of how intellectual virtues and supporting attitudes optimally should guide thinking and the path to growth toward that ideal. Given that grand, perhaps even grandiose vision, it has some surprisingly detailed and specific ideas for improving our thinking in particular areas. So yes it perhaps does fail in some places in providing the richness of detail and explication that some of its arguments really deserve. And perhaps sometimes the authors themselves do fail to live up to the vision in their own presentation. Still, I think this book serves a useful and unique place among books on thinking because of the grandness of its vision and so I personally forgive it what I see as the minor issues that many others seem to have found so annoying that they couldn't even finish the book.

I think this book deserves and repays a deep reading and hard work but that it has to be distinguished from the typical course material on "critical thinking" both because its scope and vision are greater than that and because it lacks the immediate short term payback that people tend to expect from typical courses. This is a lifetime learning approach, not a course.

5 of 5 people found the following review helpful.
Make sure you actually need this book before buying
By WhitneyP
I bought this book for a class so it wasn't by choice.
Luckily i did actually have to use it for assigments out of the book so it was worth my money, but other than that this book is a real bore.

It has some good points to it but the authors are very verbose in pretty simple concepts.

Like I said, make sure you actually need this book before buying.

1 of 1 people found the following review helpful.
Much to offer
By cheryl sandquist
Used during my PhD classes. He explores the power of the human mind and how can we reach our potential. Critical thinking is thinking about your thinking while you are thinking. In the Kindle edition, commonly underlined parts of the book come already underlined.

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Senin, 03 Maret 2014

[R525.Ebook] Free Ebook Don Quixote (Signet Classics), by Miguel De Cervantes Saavedra

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Don Quixote (Signet Classics), by Miguel De Cervantes Saavedra

Complete and unabridged, Don Quixote is the epic tale of the man from La Mancha and his faithful squire, Sancho Panza. Their picaresque adventures in the world of seventeenth-century Spain form the basis of one of the great treasures of Western literature.
 
In a new translation that “comes closest, among the modern translations, to the simple, intimate, direct style that characterizes Cervantes’ narrative,”* Don Quixote is a novel that is both immortal satire of an outdated chivalric code and a biting portrayal of an age in which nobility was a form of madness.
 
*John J. Allen, Professor Emeritus of Spanish, University of Kentucky and Past President of the Cervantes Society of America

  • Sales Rank: #563145 in Books
  • Published on: 2011-04-05
  • Released on: 2011-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.81" h x 1.56" w x 4.19" l, .98 pounds
  • Binding: Mass Market Paperback
  • 1072 pages

Review
“What a unique monument is this book!...How its creative genius, critical, free and human, soars above its age!”—Thomas Mann

About the Author
Miguel De Cervantes Saavedra was born in Spain in 1547 to a family once proud and influential but now fallen on hard times. His father, a poor barber-surgeon, wandered up and down Spain in search of work. Educated as a child by the Jesuits in Seville, the creator of Don Quixote grew up to follow the career of a professional soldier. He was wounded at Lepanto in 1571, captured by the Turks in 1575, imprisoned for five years, and was finally rescued by the Trinitarian friars in 1580. On his return to Spain he found his family more impoverished than ever before. Supporting his mother, two sisters, and an illegitimate daughter, he settled down to a literary career and had hopes of becoming a successful playwright, but just then the youthful Lope de Vega entered triumphantly to transform the Spanish theatre by his genius. Galatea, a pastoral romance, was published in 1585, the year of Cervantes' marriage to Catalina de Palacios y Salazar Vozmediano. But it did not bring him an escape from poverty, and he was forced to become a roving commissary for the Spanish armada. This venture, which led to bankruptcy and jail, lasted for fifteen years. Although he never knew prosperity, Cervantes did gain a measure of fame during his lifetime, and Don Quixote and Sancho Panza were known all over the world. Part I of Don Quixote was published in 1605; in 1613, his Exemplary Novels appeared, and these picaresque tales of romantic adventure gained immediate popularity. Journey to Parnassas, a satirical review of his fellow Spanish poets, appeared in 1614, and Part II of Don Quixote in 1615 as well as Eight Plays and Eight Interludes. Miguel de Cervantes died on April 23, 1616, the same day as the death of Shakespeare--his English contemporary, his only peer.

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1186 of 1221 people found the following review helpful.
Which New Translation to Choose?
By Philip Haldeman
Edith Grossman's is the hot new translation, but there may be a tendency to confer too much praise on a fresh reading. From what I have sampled, I have no doubt of Grossman's excellence, but this is not the "definitive" DQ (no one's is), and frankly, after some comparison of the early chapters, I've decided to spend my time with Burton Raffel's translation, now only a decade old. Raffel sometimes opts for a colloquial word or two, but it's never jarring, and his overall style seems not only less pretentious to me than Grossman's, but a superior combination of a modern reading with a traditional "tone." Tone and style are important, and Raffel sometimes makes Grossman seem too abstract or fussy, though this is difficult to describe. Raffel's phrasing is more focused and vigorous than Grossman's--though both are said to be accurate. Let me offer a couple of examples that shifted me toward Raffel:

Grossman:

"Some claim that his family name was Quixada, or Quexada, for there is a certain amount of disagreement among the authors who write of this matter, although reliable conjecture seems to indicate that his name was Quexana. But this does not matter very much to our story; in its telling there is absolutely no deviation from the truth."

Raffel:

"It's said his family name was Quijada, or maybe Quesada: there's some disagreement among the writers who've discussed the matter. But more than likely his name was really Quejana. Not that this makes much difference in our story; it's just important to tell things as faithfully as you can."

(Notice how Raffel makes immediately clear in the last sentence what Grossman so literally translates.)

Grossman:

"His fantasy filled with everything he had read in his books, enchantments as well as combats, battles, challenges, wounds, courtings, loves, torments, and other impossible foolishness, and he became so convinced in his imagination of the truth of all the countless grandiloquent and false inventions he read that for him no history in the world was truer. He would say that El Cid Ruy Diaz had been a very good knight but could not compare to Amadis, the Knight of the Blazing Sword, who with a single backstroke cut two ferocious and colossal giants in half."

Raffel:

"He filled his imagination full to bursting with everything he read in his books, from witchcraft to duels, battles, challenges, wounds, flirtations, love affairs, anguish, and impossible foolishness, packing it all so firmly into his head that these sensational schemes and dreams became the literal truth and, as far as he was concerned, there were no more certain histories anywhere on earth. He'd explain that Cid Ruy Diaz had been a very good knight, but simply couldn't be compared to the Knight of the Flaming Sword, who with one backhand stroke had cut in half two huge, fierce giants."

Notice that Grossman is rather fussy-sounding in the phrase: "countless grandiloquent and false inventions he read that for him no history in the world was truer." Compare with Raffel, who always seems to solve little problems like this with charm, precision, and even a little wry swagger that's so appropriate to Cervantes' intent. So my advice is to seek out both of these new translations and spend a little time with each before deciding. Don't take others' opinions that Grossman's has superseded Raffel's. Grossman avoids some of the more colloquial English one may find in Raffel, and this may please snobs, but the accuracy of Raffel's translation is not in question, and overall he seems to me to have done the best job.

499 of 520 people found the following review helpful.
Faulkner's Favorite
By A Customer
Faulkner said Don Quixote was his favorite book and that, along with The Bible, he dipped into it yearly. I'm not sure what Cervantes would have made of some of Faulkner's more troublesome work, but the world has designated Don Quixote the Father of the Modern Novel and perhaps the greatest novel ever. I'm a fan of this book and a habitual (some would say neurotic) comparer of translations. Since I don't read of speak Spanish, I have to rely on the English translations that have been published. There are three that are worthwhile: Ormsby's, Samuel Putnam's and now Edith Grossman's. Grossman, who is the translator of Garcia Marquez's books into English, has produced a translation that's contemporary and authentic--somehow, not an oxymoron. It has a fresher feel than Putnam's (the translation Nabokov used when teaching the book), though I wouldn't say it supplants Putnam. If you're looking for a copy of Don Quixote in English, Grossman's translation is a good first choice. She manages to maintain the feel of the language Cervantes wrote in (as far as I can tell) yet her translation, as the NY Times reviewer noted, is as readable as the latest novel from Philip Roth. You can't go wrong with Putnam or Grossman, but on this one, I have to give the nod to Grossman.

263 of 283 people found the following review helpful.
Quintessential Masterpiece of European Literature
By Adam Dukovich
I have read this book both in English and Spanish, and I can honestly say that it loses very little of its power, wit or message in translation. For all those who have considered reading this book, here are a few good reasons: this book is a very nuanced look at escapism and identity, a wonderful parody of knight stories, along with being a rousing (and very funny) adventure centering around the titular hero, a man who reads one too many books about knighthood and chivalry and decides to become a knight-errant himself. After recruiting a sidekick and choosing a lady to woo per narrative convention, he sets out to conquer the forces of evil, which include, among other things, giant windmills and rogue "knights". Cervantes' insight and ability to parody were both ahead of his time, and in a time where escapism and voyeurism are well and thriving, it is not difficult to imagine someone watching too many TV shows and believing they're a wild west outlaw or what-have-you. A very fascinating experience, and it works well in any language. Highly recommended.

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